Notes on acting

From Acting: The First Six Lessons, by Richard Boleslavsky
  • The actor is sensitive to the finest changes of emotion. [Why emotion? Surely there are other makers of meaning.] β€œShe is like a violin whose strings respond to all vibrations.” A poet is sensitive to the impressions of words, a musician to the impressions of sound. The actor? Her instruments are her body and mind. Her body and mind are tuned to emotion. This is dangerous territory.
  • I judged too soon. Boleslavsky is cleverer than me. Training yourself to be sensitive is the first lesson. The next lesson is recalling those sensations when you need them.
From Creative Play Direction, by Robert Cohen and John Harrop